The Literate Kitty

Something that every good storyteller knows: a great story doesn’t need flash, sex, an exotic location, a hot hero, or any other element obviously thrown in to grab the audience’s attention… such things are far better used as a dash of pink Himalayan salt, rather than a heavy pour from the navy blue Morton’s canister. (Sure, they can be a lot of fun, but feel pretty one-note in a hurry, if relied upon to be the meat of any story.) No, what a great story actually needs is something the audience can really relate to, on a personal level… and generally, that isn’t anything very fancy, at all. So let’s just do the whole TL;DR bit right up front, and say that T. Kingfisher’s The Hollow Places absolutely NAILS some damn fine story-telling, okay? _______________ Kara—a thirtyish (give or take) gal—is as “regular” as they come: she’s been married for several years, but finds herself recently ( surprise! ) divorced (her ex-hubby’s decision), out of home (she let him keep the house)